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Monthly Archives: June 2011
Science and Anarchy
Everywhere science is enriched by unscientific methods and unscientific results, … the separation of science and non-science is not only artificial but also detrimental to the advancement of knowledge. If we want to understand nature, if we want to master … Continue reading
Cosmology as Art ~ Galileo, Latour, Gesualdo, Monteverdi
GALILEO: I won’t compromise my esthetic. –Bertold Brecht “Nigra sum sed formosa. Dazzled by darkness.” Optical Distortions and Magnifications. Extremes of Contour, Modeling and Texture. Intense Internal Light Source. Hyperbolic Ascents and Sudden Plunges of Consciousness and Sensation. Mannerism Chiaroscuro … Continue reading
Two Different Orreries: The Tychonian vs. The Copernican Model of The Cosmos
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Writing about The Dead vs. Writing among The Dead – Modernity and The Waste Land
Y: I have to ask is it right to judge a previous century against the more recent in regards to technologies available? It’s like getting critical of cavemen for not using Adobe Photoshop CS5 to do a painting. But yes, … Continue reading
Classical Music goes Neo-Classical – Out of the 19th and into the 20th Century
The vast interval separating the “out” and “in” should be self-evident. Just one comparison worth noting is the way that Prokofiev’s Piano Concerto #1 sounds as if it were written as a deliberate parody of Tchaikovsky’s very famous piano concerto. … Continue reading
UNSAID was High Miles Five.
Why is the best workout music invariably songs about how awesome drugs are? Damn, that was a good run. Thanks, Suicycles! “Question Mark” “Smiling Like A Junkie” “God Like Me” (art by Sri Whipple)
Tradition and the Prehistoric Talent – Not Primitivism but Stoneage Classicism
[The artist] must be aware that the mind of Europe–the mind of his own country–a mind which he learns in time to be much greater than his own private mind–is a mind which changes, and that this change is a … Continue reading
The Rule of Futility
Oscar Wilde Preface to The Picture of Dorian Gray (1890) ~ The artist is the creator of beautiful things. To reveal art and conceal the artist is art’s aim. The critic is he who can translate into another manner or … Continue reading
“The English Countenance”
The difference is not a simple difference of degree between poets. It is something which had happened to the mind of England between the time of Donne or Lord Herbert of Cherbury and the time of Tennyson and Browning; it … Continue reading
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Tagged Henry Purcell, Orlando Gibbons, T. S. Eliot, Thomas Tallis, William Byrd
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